A re-cut trailer, or retrailer is a parody trailer for a movie created by editing footage from that movie or from its original trailers, and thus are a form of mashup. They generally derive humor from misrepresenting the original film: for instance, a film with a murderous plot is made to look like a comedy, or vice versa. They became popular on the Internet in 2005.
- Wikipedia
Jerod at Midwest Sports Fan posted his list of The 15 Best Re-cut Movie Trailers:
One of the most clever and entertaining memes I’ve come across is the practice of re-cutting famous movies to create new, usually wonderfully ironic trailers.
Since there is nothing better to this morning, I have painstakingly watched as many of these re-cut trailers as I could find, sifted through the crap, and will now proudly present you with the following list of the best re-cut movie trailers.
Popularity: 2%
A catch phrase (or catchphrase) is a phrase or expression recognized by its repeated utterance. Such phrases often originate in popular culture and in the arts, and typically spread through a variety of mass media (such as literature and publishing, motion pictures, television and radio), as well as word of mouth. Some catch phrases become the de facto “trademark” of the person or character with whom they originated.
We all know someone who’s a walking catchphrase waiting to happen; they relish that moment when they can slip in to a conversation their favorite over-used movie catchphrases. The interesting thing is that most people use the same ones, over and over again. – moviefone.com
Moviephone’s The 10 Most Over-Used Movie Catchphrases:
Other catchphrases that we’ve heard people use:
Popularity: 5%
I am a great tracker. My pack sent me on a special mission, all by myself. Have you seen a bird? I am going to find one, and I am on the scent. I am a great tracker; did I mention that?
Release: 2009
Runtime: 1 hour, 36 min
Genre: Family, Animation, Comedy, Adventure
Language: English
MPAA Rating: PG
Starring: Edward Asner, Christopher Plummer, Jordan Nagai, Bob Peterson, John Ratzenberger
Amazon Link: Pixar’s UP
SYNOPSIS: Young Carl Fredrickson meets an adventure-minded girl named Ellie. Both dream of moving to Paradise Falls, an isolated plateau in South America. Seventy years later, Ellie has died and Carl is determined to fulfill their dreams of moving to Paradise Falls. When Carl inadvertently hits a construction worker, he is sentenced to a retirement home. But before they can take him away, he and his house fly away, along with a stowaway: an eight-year-old boy named Russell. Together, they embark in an adventure, encountering talking dogs, and a lost hero turned villain, and a rare bird named Kevin.
Up to this point, I have enjoyed Pixar’s movies, with the exception of the revulsion-inducing, vermin-infested “Ratatouille.” Even “Cars,” which was a bit too NASCAR for me, had a great story and fabulous characters. “Up,” unfortunately, does not meet Pixar’s previously high standards for storytelling.
Up’s uninteresting story of the old widower and his stowaway is technically competent with moments of visual inspiration: Carl’s balloons are like translucent gumballs, sunlight shines through them midflight and suffuses a little girl’s room with color. But heavy-handed sentimentality and a goofy, uninteresting script trump those artistic points. (more…)
Popularity: 6%
“I thought you of all people would appreciate efforts to deconstruct the colonialist paternalistic agrarian hierarchy that disenfranchises the Tanga te Whenua and erodes the natural resources of Aotearoa.”
Release: 2006
Runtime: 1 hour, 27 min
Genre: Horror, Comedy
Language: English
MPAA Rating: R
Starring: Nathan Meister, Danielle Mason, Peter Feeney, Tammy Davis, Glenis Levestam, Tandi Wright, Oliver Driver, Matthew Chamberlain
Amazon Link: Black Sheep
SYNOPSIS: An experiment gone horribly wrong turns flocks of docile sheep into zombie sheep in this black comedy by Jonathan King. When the death of his father and probataphobia, fear of sheep, brings him to the verge of a nervous breakdown, skilled farmer, Henry Oldfield (Nathan Meister), leaves the family farm. Fifteen years later, Henry discovers that his brother, Angus (Peter Feeney), has been performing genetic experiments on the sheep. Unfortunately for both the brothers and everyone else, the experiments have produced a strain of sheep that crave human flesh and will stop at nothing to satisfy their hunger.
In New Zealand, there are more 10 sheep for every person. Therefore, it can be assumed that it was only a matter of time before someone from that part of the world made a movie about the sheep. That person is Jonathan King. And as far black comedies go, King’s zombie sheep flick reminds viewers a great of deal of Edgar Wright’s zom com, Shaun of the Dead.
The Oldfield farm has been in the family for a hundred years but when dad dies, younger brother Henry moves away with a vicious phobia of sheep leaving older, evil brother Angus to mind the farm. Unfortunately, Angus has no interest in traditional farming and has adopts a genetic program to create a better sheep: the Oldfield.
When a pair of well-intentioned animal rights activists accidentally release one of the mutant sheep, they unwittingly trigger an ovine massacre. One bite from one of these genetic freaks has the power to turn regular sheep into rampaging bloodthirsty beasts Humans bitten are transformed into a monstrous were-sheep.
Now Henry has to overcome more than his phobia as he faces flesh-eating sheep with blood-soaked muzzles. He gets some help from the local farmhand Tucker (Tammy Davis) and a cute vegan named Experience (Danielle Mason).
Black Sheep is a horror-comedy, light on the horror (not the gore) and heavy on the comedy. Director Jonathan King wastes no time plunging in full-scale: The blood is hot and copious, the wool white and fluffy, and the dialogue and situations every bit as silly as you might expect. Black Sheep is more of a gross-out black comedy than a smartly crafted take on the zombie genre. But the film definitely has many hilarious moments. I give King credit for a clever twist on the zombie/gore formula; however, this isn’t the first time that warm and fuzzy creatures have turned lethal. There’s the killer rabbit from Monty Python’s Holy Grail and the unforgettable Night of the Lepus. Nonetheless, Black Sheep does deserve kudos for taking the genre to a nasty yet grossly funny extreme: Its a film that’s not sheepish about gore or the violence of the lambs. Sorry, I couldn’t resist.
Popularity: 2%