As one of the holiest times in Christendom approaches, families like ours often struggle with balancing the commercialization and secularism in popular culture with the true reason for the season. To help others, we have assembled our list of Christian Christmas movies.

Our list focuses on those movie with strong Christian values. For that reason, perennial Christmas favorites like It’s a Wonderful Life (1946), A Christmas Story (1983), or Miracle on 34th Street (1947) are not included.

A Christmas to Remember (1978) – A city-bred grandson moves to his grandparents’ farm during the Great Depression and grows up enough under their tough care to help his grandfather deliver a surprise gift on Christmas Eve to their community church with the help of a phantom stranger.

Bethlehem Year Zero (2004) – A novel approach to the Nativity presenting Jesus’ birth as television reporters and analysts might have covered it, had the medium existed in King Herod’s time. The field correspondents and studio pundits discuss the economic and political ramifications on society and speculate about the meaning of the Messiah’s appearance in their milieu.

Christmas Child: A Max Lucado Story (2004) – An updating of Max Lucado’s book “A Christmas Cross”, this film is about a successful Chicago journalist, whose marriage is at a breaking point as he is about to celebrate both his 40th birthday and Christmas; he is sent away during the Holidays to Texas for a story, and there reflects on his life and its meaning.
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Popularity: 3%

Climbing Mount Everest is challenge that most of us can not even begin to fathom. Yet there are many people who are obsessed with the thought of this life-threatening challenge. In a single day of the 1996 climbing season (May 11, 1996) eight people died on Mount Everest during summit attempts. In the entire season, fifteen people died trying to reach the summit, making it the deadliest single year in Everest history. The disaster gained wide publicity and raised questions about the commercialization of Everest.

One weekend, we watched Into Thin Air (1997) on Netflix’ streaming service. During the movie, we sat shaking our head wondering why anyone would attempt the climb. Yet afterwards, I found myself drawn back to the events of the 1996 season, fascinated at the audacity of the climbers. As a topic, Everest has been the subject of numerous films and documentaries:

Into Thin Air: Death on Everest (1997) – An adaptation of Jon Krakauer’s best selling book, “Into Thin Air: A Personal Account of the Mt. Everest Disaster“. This movie attempts to re-create the disastrous events that took place during the Mount Everest climb on May 10, 1996. It also follows Jon Krakauer throughout the movie, and portrays what he was going through while climbing this mountain.

Everest: IMAX (1998) – An international team of climbers ascends Mt. Everest in the spring of 1996. The film depicts their lengthy preparations for the climb, their trek to the summit, and their successful return to Base Camp. It also shows many of the challenges the group faced, including avalanches, lack of oxygen, treacherous ice walls, and a deadly blizzard.

FRONTLINE: Storm over Everest (2008) – As darkness fell on May 10, 1996, a fast-moving storm of unimaginable ferocity trapped three climbing teams high on the slopes of Mount Everest. The exhausted climbers were soon lost far from the safety of High Camp at 26,000 feet. World-renowned climber and filmmaker David Breashears, who aided the rescue efforts back in 1996, now returns to Everest to shed new light on the worst climbing tragedy in Everest’s history.

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Popularity: 9%

“Wait a minute. You aren’t seriously suggesting that if I get through the wire… and case everything out there… and don’t get picked up… to turn myself in and get thrown back in the cooler for a couple of months so you can get the information you need?”
– Steve McQueen, The Great Escape

Most guys enjoy a good prison break film. The stories capture the notions of freedom and the indomitable human spirit. One of my favorites is The Great Escape starring the uber-cool Steve McQueen. That said, few movies are set entirely in prisons, so I, like others, are kind of curious what the criteria were when Gunaxin assembled their list of The 15 Best Prison Movies. Was The Rock not included simply because it takes place at a decommissioned prison? And does not enough of Malcolm X take place in a prison? And what about Assault on Precinct 13, is it because it has more to do with holding cells than prisons?
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Popularity: 32%

I went to a party once, and there was a palm reader there and when she looked at my hand, she just froze. And I said to her “I know. My lifeline is broken. I know I won’t live past thirty.”

Release: 2006
Runtime: 1 hour, 39 min
Genre: Biography, Drama
Language: English
MPAA Rating: R
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon, Jack Huston, Armin Amiri, Tara Summers, Mena Suvari

Amazon Link: Factory Girl

SYNOPSIS: “Factory Girl” retells the meteoric rise and fall of the 1960′s “That Girl” Edie Sedgwick, a celebrity who came to define both the faux glamour and the tragedy of the chaotic, drug-addled 1960s. Initially on film, Sedgwick appears to be the stereotypical (read as vapid) American princess, but when she meets up with anti-hero Andy Warhol, everything changes. Suddenly, Edie find herself at the center of a vortex brimming with sex, illicit drugs, errant style and rock ‘n’ roll — and desperately groping for fame and fabulousness that was destined to end her life in ruin. The film records the Poor Little Rich Girl‘s downward spiral from Cambridge art student to Andy Warhol’s disposable model/actress/muse and finally to institutionalized drug addict.

Factory Girl has a number of problems. The script is incredibly weak. In fact, it’s so scattered and borderline incoherent that you’d think that Sedgwick herself, hopped up on crank, made it herself. The high points all get a moment in the limelight: child of mentally ill and abusive parents, involved with freaky artist types and hangers-on, attention and love-starved, high all the time and doomed to the inevitable downward spiral. You just never know exactly the who or why of what happened. The film heavy-handedly drives home its interpretation of Edie as the abused and abandoned target of a series of childish, manipulative men, with the ultimate blame saved for her family. But in fact, Edie was not a victim. She was already a wild child by the time she left for New York City. What made Edie Sedgwick so tragic is that she was the Poor Little Rich Girl by her own mistakes. She was terribly self-destructive and yet so beautiful and promising, and that creates the interest surrounding her life. Unfortunately the film never capitalizes on this dichotomy.

The acting is atrocious. Sienna Miller’s crying hardly seems real. Scrunching up your face does not make the audience think you’re crying. Hayden Christensen is absolutely ridiculous. He tries to channel Bob Dylan’s persona, called Quinn (after his musical tribute to Nicholas Ray’s The Savage Innocents) but inevitably just comes off as such a douchebag. Christensen even tries to imitate the same speech patterns and tone of voice as the famous singer, but ends up botching the character much like did Vader/Anakin in the Star Wars trilogy. Simply put, Hayden is painful to watch: And don’t even get me start on the uncomfortably awkward sex scene between Hayden and Sienna. Guy Pearce’s Andy Warhol, as idiot savant, is flawed from the moment he appears on screen. Pearce delves into Andy’s strangeness to postulate that Andy compensated for ugliness by leeching on to pretty people. That might well be valid, but neither the film nor Pearce fully explore the validity of such a premise.

The film depicts The Factory as high school with more flamboyant clothes and hair and stronger drugs. Petty jealousies and backbiting create a pernicious environment in which sycophants vie for Warhol’s attention and bask in his reflected ‘brilliance.’

Unfortunately, Factory Girl’s flaccid visuals do not make the movie worthwhile. What could have been a decadent experience in terms of the fashion, music and surroundings of 60′s counter culture turned out to be mundane, unfocused, and very contrived. Simply put: A complete and utter disappointment.

Goozlepipe Rating: Hated It

Popularity: 4%

“Society doesn’t want free men. They talk ‘freedom,’ ‘democracy,’ anything you want, but they don’t want free men. Society wants conditioned men, men who march in step.“
Release: 1973
Runtime: 2 hours, 30 min
Genre: Drama, Adventure, Biography
Language: English
MPAA Rating: PG
Starring: Steve McQueen, Dustin Hoffman, Victor Jory, Don Gordon, Anthony Zerbe

Amazon Link: Papillon

SYNOPSIS: Papillon is the story of petty criminal Henri “Papillon” Charriere (Steve McQueen), who has been framed and convicted of murder and sentenced to life imprisonment. Along with an assorted bunch of criminals, including famed counterfeiter Louis Dega (Dustin Hoffman), he is transported to the French penal colony of French Guiana. Dega, an outcast among criminals, strikes a deal with Papillon to protect him in exchange for funding his escape attempts. Life is harsh in the colony, and escape is discouraged: first escape attempt is punished by two years in solitary confinement, a second offence being punished by five years of solitary. Regardless, Papillon never loses the desire to escape, resulting in plenty of time in solitary. Both Dega and Papillon are eventually transferred to the hell of all hells – Devil’s Island. There are no bars in this jail as the strong currents and voracious sharks ensure enough of an escape deterrent – or at least so the authorities believe.

Based upon the book by Henri Charrière, this is the story of a man who endured the unendurable, suffered the insufferable, and escaped from the inescapable. Because the film revolves around just two characters, Papillon (which is French for ‘butterfly’ – the character even sports a large tattoo of a butterfly) and Dega, the whole film lives or dies upon the work of the two leads. McQueen and Hoffman are right at home in their roles. Papillon is a man of action, a safecracker, a physical presence, and McQueen delivers his signature brand of sullen machismo, always leaping into the heart of conflict, with a perpetual squint. This is arguably the greatest performance from Steve McQueen: covering the gamut of as a captive, from naive yardbird to nearly insane inmate in solitary. Hoffman, meanwhile, plays Dega as a frail, but cunning intellectual with coke-bottle glasses thrust into a violent world. He shambles around the prison colony trying to keep his nose clean and his glasses intact.

In the penal colony, they come face to face with the worst that man and nature have to offer. Death and despair surround them at every turn, and Papillon’s first escape attempt is foiled, gaining him an extended stay at the island of St. Joseph’s reclusion camp.

Then, as Papillon, Dega, and another prisoner set out on a harrowing escape, it becomes clear that the story has been working its way toward this sequence, the grand finale. The directorial style suddenly shifts into frenetic gear and McQueen and Hoffman rise to the challenge. In what is surely one of the greatest prison escapes ever put on film, Papillon and Dega dodge bullets, traverse jungles, sail across the ocean, and brave encounters with a leper colony, a bounty hunter, an indigenous tribe and the Honduran army.

The only problem is, the movie doesn’t end there. Papillon just keeps right on going… Every time it seems like it is about to end, it doesn’t. It’s like riding in a car with someone who keeps missing turns. Without ruining the conclusion, which does eventually come, Papillon and Dega are separated and then reunited for one last fateful decision.

Whilst the story really is good, the quality of the cinematography and the performances elevate this film into the status of a classic. As an indictment of the French penal system, it serves its purpose well indeed. Whilst this is certainly not going to be to everyone’s taste, this is a fine example of an epic from the early 1970s and as some have argued an early predecessor of the action blockbusters of today.

Papillon should be noted for its achievement as one of the better escape adventures yet captured on film (others would include the equally effective The Great Escape and Escape from Alcatraz).

Awards Notes:
Academy Award nomination: Best Music, Original Dramatic Score – Jerry Goldsmith
Golden Globe nomination: Best Motion Picture Actor, Drama – Steve McQueen

Goozlepipe Rating:Really Liked It

Popularity: 1%